10 new in Netflix
“American cake”
“Apollo 13”
“Unsuspecting”
“Dazed and confused”
“The deceased”
“Enemy”
“Jurassic Park”
“On fast horses”
“The Texas chainsaw -massacre”
“Wet Hot American Summer”
7 New in Blu-ray/DVD
“Bring her back”
The Australian duo Danny and Michael Philippou pursued their breakout hit “Talk to Me” with one of the horror films of the year celebrated by the criticism, which are now available exclusively in Blu-ray in the A24 online shop. This column was mainly developed for highlights, but since enough people are much more than I do, I will make an exception. I think it rolls in far too many tropics of “grief horror” and is only cruel when it comes to most of them. Nevertheless, Sally Hawkins is unable to deliver a below -average performance, and A24 has processed the transmission of the film well into the home media, including a comment, a featureette with Hawkins and the brothers and even postcards. Carefully take into account the message you send when you use it.
Special features
- A comment with the directors
- A deleted scene
- Incoming making-of-featuret
- Six collectible postcards
“Cairo Station” (criterion)
The criterion continues to try to expand its catalog beyond white, European and typical male directors, and this month made considerable progress with publications from Egypt, Taiwan and a female director in the South of the American. The first alphabetical is largely seen as an essential film in the Egyptian cinema and the neorealistic movement of the 1950s. Yousseh Chahines Noir from 1958 is amazing, a film that tells the story of a man who is obsessed by a soda seller at the title station and finally turns this obsession into violence. At the time released from a country that was not ready for something so intense in her cinema, generations needed to find a reaction fast audience, and now has a 4K -body publication that should grow even more.
Special features
- New 4K Digital restoration with uncompressed monaural soundtrack
- New 2K Digital Restoration of Cairo as from Chahine (1991), a short documentary by Youssef Chahine, seen with an introduction by the film scientist Joseph Fahim
- New interview with Fahim
- Chahine. . . Why? (2009), a documentary about the director and the Cairo Station
- Extract from Chahine's appearance at the Midnight Sun Film Festival 1998
- New English subtitle translation
- Plus: An essay from Fahim
“Compensation” (criterion)
Inspired by the Paul Laurence Dunbar poem of the same name, Zeinabu Irene Davis was relatively buried in 1999 for a generation and recently received his well-deserved flowers with publications in 2024 when it was also called in the film registration of the Congress's Library. In fact, after Tiff in 1999 and Sundance in 2000, “compensation” was completely not available until the criterion contained it on its streaming platform in 2021. Then she undertook a restoration that was shown in Nyff and Ciff in 2024. Now that the restoration in physical media is available in physical media, is available in physical media, in a breathtaking collection that also in a comment, in a comment, in a comment and a comment, the Q -Q -SW. -etc. -A -A -A -A -A -A -A -A -A -A -A -A -A -A -A -A -A -A -A -A -A -A -A -A -A -A -A -A -A -A -A -A -A -A -A -A -A -A -A -A -A -A -A -A -A -A -A -A -A -a -a -a -a -a -a -a – -A -a -a. The best thing the criterion does is to be a major lifeline for films that would otherwise have been lost for history. This is a great example of how well you continue to do.
Special features
- New 4K Digital restoration, monitored and approved by director Zeinabu Irene Davis, in collaboration with the UCLA Film & Television Archive and Wimmin with a mission production and in connection with the Sundance Institute with uncompressed stereo soundtrack
- Audio comment with Davis, screenwriter Marc Arthur Chéry and director of photography Pierre HL Désir Jr.
- Q & as with members of the occupation and the crew
- Two short films by Davis, Crocodile Conspiracy (1986) and Pandemic Bread (2023), the latter with audio comment with Davis and Cast and Crew members as well as descriptive audio
- Interview with Davis from 2021
- New program on selected archive photos and Adinkra- and Vèvè symbols in the film
- Trailer
- English subtitles and intertitles for deaf and difficult hearing and English describing audio
- Plus: An essay by Film Scholar Racquel Gates, a director and a conversation between Davis and artist Alison O'Daniel on the process of the caption of the film
“A Confucian confusion”/”Mahjong” (criterion)
Criterion has published Edward Yang's films in the past, including essential editions of “A Heller Summer Day” and “Yi Yi”, his most celebrated films. You have now accompanied those with a double characteristic of the fifth and sixth works by the Taiwanese director, in 1994 by “A Confucian Confusion” and “Mahjong” from 1996. Both films became with a new interview and a new conversation between Michael Berry and one of the best living film critics, Justin Chang, with a 4K restoration treatment and a new conversation.
Special features
- New 4K Digital restorations with 5.0 surround DTS-HD-Master-Audio-Soundtracks
- Extracts by director Edward Yang speaks after a review of a Confucian confusion of 1994
- New interview with the publisher Chen Po-Wen
- New conversation between Chinese culture studies Michael Berry and film critic Justin Chang
- Performance of the 1992 game Probable sequence
- Plus: An essay by the film programmer and critic Dennis Lim and a director from 1994 to a Confucian confusion
“The Phoenician Scheme”
Wes Anderson's feeling that it came and went pretty quickly and started in Cannes, immediately afterwards in global theaters and before the end of July (with a really hideous cover) in Cannes. While Mr. Anderson will be part of the largest Blu-ray publication of 2025 later this year if the criterion drops a box set of most of its work, it receives a fairly standard bar bones output, which only contains three mini features. Under no circumstances is this the last word to one of the purely more enjoyable films from 2025. So consider this as a placeholder until the criterion 2026 or 2027 goes to it.
Special features
- The occupation
- The plane
- Marseille Bob's
- Zsa-Zsa world
“Shoeshine” (criterion)
Vittorio de Sica's Final Masterpiece Boasts A Bit of Trivia That Could Win You The Next Contest At Your Local Watering Hole: This is the first movie to win the Oscar for Best International Feature Film, An Award Introduced in 1947. And Yet It It Doesn't Haven's Legacy as Subsequent Winners From the Early Years, Such as “Bicycle Thieves,” “Rashomon,” and “La Strada.” And yet this had his loyal fans, including Pauline Kael and nothing more than Orson Welles, who said: “… the camera disappeared, the screen disappeared; it was only life.” The criterion recorded the film in 4K remastered and a new program about its place in the Italian neorealism movement. The coolest special game is a radio show from 1946 with de Sica itself.
Special features
- New 4K Digital Restoration, carried out by the Film Foundation and the Cineteca di Bologna, with uncompressed monaural soundtrack
- A 4K UHD disc of the film and a Blu-ray with the film and the special features
- Sciuscià 70 (2016), a documentary by Mimmo Verdesca, marked for the seventieth anniversary of the film
- New program about shoeshine and Italian neorealism with film scientists Paola Bonifazio and Catherine O'Rawe
- Radio show from 1946 with director Vittorio de Sica
- Trailer
- New English subtitle translation
- Plus: An essay by film scientist David Forgacs and “Shoeshine, Joe?”, A Photo Documentary from 1945 by de Sica
“Cinnabar”
From “Shoeshine” to another Italian realism work eight decades later (but in the 1940s). Maura Delpero's beautiful drama was the Italian entry for the award that “Shoehine” opened last year and took the Grand Jury Prize at the Venice Film Festival home and won the best film at the Italian equivalent of the Oscars. In 1944, Delpero tells the history of a mountain village in northern Italy when a deserter of the Second World War appeared in the city and falls in love with a local girl named Lucia. With relatively ordinary life against beautiful picturesque scenes, “Vermiglio” is an urgent piece of work, a film that brings Delpero to a new level of respect. Here, too, the Janus' time members of the publications could increase some controversy here, since this publication is beautiful, but the special features that may contain the proper publication of the criterion may not be included.
Special features
- Get to know the filmmakers
- Trailer